Your browser version is outdated. We recommend that you update your browser to the latest version.

Welcome...... a site where I aim to convey a feeling for some of the studio processes and field experiences of an artist who takes wildlife and landscape as his main starting points.

I work as often as the opportunities arise out in the wild looking for the rhythm and restlessness that occurs among wildlife subjects and in elemental landscapes. 

Sometimes the focus includes people when they interact and overlap with species and habitats creating powerful images and dramatic themes about the natural world and our relationship to it.

Also on this site are some of the creative outcomes - pieces of finished work, work in progress, or exhibitions and other events where my paintings and prints are shown.

The starting point for me is the field experience as pure observation is the raw material from which everything else extends.  It might be a few small sketches or a larger more considered drawing; or it might be a more ambitious painting which one hopes distils something of a day’s experience. A work straight from the field can sometimes be framed and exhibited as it is.  What is left is taken back to the studio to be viewed in a new light and the snatched ideas worked through in different mediums - relief or intaglio printing, monoprinting or oil painting.

Over a period 45 years working as an artist I have travelled widely in search of subjects from the Arctic and Antarctica, to Africa, much of Europe, and the Americas.   

However, these days I spend a lot of time in my studio working through the creative debris accumulated over years travelling to wild places.  It is exciting trying to make something new out of old ideas.





































 All text & images  © Bruce Pearson 2020

Sky-dancing Marsh Harriers

May 2020

Like everybody else I've been observing all the coronavirus requirements, including the instruction to stay at home and only go to work if absolutely necessary and when working from home isn't possible.   Part of my work I do from a conventional studio a short distance from my home and I've not been in it for about two months, but my other work place is the great outdoors.  So, I've been cycling out to a particularly interesting place to carry on working, which is also part of my daily exercise routine.

It is a patch of fen where marsh harriers are very active - five individual birds through the course of one particular day (3 male birds and 2 females).  They've been sky-dancing, food passing and bringing in nest material, and one of the males spent 20 minutes chasing off a red kite.  I've heard one of the male harriers calling from so high up its been almost out of sight.  I've heard a cuckoo and watched it fly by and settle in a hawthorn.  There have been orangetip and brimstone butterflies flitting about, and common lizards scurring around on old stooks of cut reeds.  And from where I've been sitting I've listened to sedge warblers, blackcaps and cettis warblers all around heralding the start of summer.

I've been on my own, isolated in a remote corner of a landscape, hidden away, speaking to no one - just enjoying being out, and being at work.

(Above).  Sky-dancing male marsh harrier, and breaking off for a while to chase away a red kite intruder.


Soaring to great heights with odd stiff and exaggerated wingbeats between tight gliding turns with tail fanned he gains tremendous height – sometimes until barely visible to the naked eye - right up there he circles and makes exaggerated wing flapping motions swinging around in the wind mewing almost continuously.  Then, still calling, he begins to plunge down tumbling and turning, dropping as if dead turning half over this way and that.  Closer and closer to the ground he tumbles then suddenly rises and flips upside down and rolling over starts dropping again very fast.  Almost at reed height he suddenly spreads his wings and turning sharply sweeps down into the chosen nesting site and vanishes into the marsh.  Breathtaking!


(Above).  These sketches focus on the food pass and the way the form of the birds, when they are low-down, intersects with the reeds and essence of the fens and its colours.  Also, a passing cuckoo - quite a rare summer sighting these days!


To make a food pass the male approaches the nest site carrying food and calls the female to him; she flies up and they twist and turn, chase and tease until the provider is flying just above the female. In an instant the male drops the food and the female flips over upside down to catch it in her talons.  The transfer completed, the female usually returns to her nest to consume her gift of a meal, but sometimes goes instead to a so-called “false nest” specially constructed by the male to amplify his prowess as a breeding mate.

Raptors (birds of prey) perform spectacular aerial displays during the breeding season, but their complexity and function is still not fully understood.  Male birds of many species provision their mate during the breeding season with food passes and perform sky-dancing routines - but none do it in quite such style as the Marsh Harrier.